Genre: Death Metal
Chicago natives Imperial Savagery got in touch with me and mailed me a copy of their album for review. I looked at the cover, nodded my head, and opened it up. Into the car’s CD player it went, and very quickly my brain was being battered against the insides of my skull. The band’s name is also the band’s sound; old school, fast, and brutal, and not without a somewhat militaristic feel to it.
It is like listening to an army marching toward the building where you are hiding with all the women and children of the city, and the army is carrying swords and chainsaws. It’s inevitable that they are going to find you, and they are getting closer, and when they uncover your hiding spot, it’s going to get fucking messy.
One of my honestly favourite things about this album is that all the songs are pretty short. The longest song, “Thy Kingdom Crumbling” isn’t even four minutes long. The average length is pretty much 2:30, 2:45 range. This disc is ten songs, but not even a half hour. It’s like listening to a death metal band write punk songs. No frills, just kills. In itself, this is slightly strange because their bassist used to be in technical death metal royals Gigan, as well as currently in Sons of Famine with the drummer. Looking deeper into the pedigree of Imperial Savagery results in a mess of unrelenting death metal heritage. From brutal death, slamming death, blackened death, and technical death, these guys bring some serious fucking history to this band.
Fans of Gravehill, Crepitus, Deicide, underground hardcore punk, and violent mosh pits, get it here. This shit is so good.