News: Goatwhore to Release Vengeful Ascension June 23 via Metal Blade; Tour North America with Anciients
Goatwhore will release their anticipated Vengeful Ascension full-length worldwide on June 23rd via Metal Blade Records. The band’s seventh full-length and second recorded reel-to-reel, Vengeful Ascension was captured at Earth Analog in Tolono, Illinois near Champaign with longtime soundman and comrade Jarrett Pritchard (1349, Gruesome).
The ten-track, forty-one-minute production – mixed by Chris Common (Tribulation, Pelican) and mastered by Maor Applebaum (Faith No More, Halford, Today is the Day) – marches in, clutches its listeners by the throat and refuses to loosen its grip until the abrupt conclusion of “Those Who Denied God’s Will.” A sonic manifestation of war, chaos, desolation, and emotional conflict, seamlessly bridging twenty years of the band’s signature brand of audio venom, it’s a record that finds its members at their most accomplished both individually and as a cohesive unit. Guitarist Sammy Duet’s dense, sub nuclear riff work and possessed solo blitzes are at their most devastating spiraling flawlessly and instinctually around drummer Zack Simmons’ and bassist James Harvey’s hammering rhythms while vocalist Ben Falgoust’s distinctly commanding roar, his acidic prose more enunciated than ever before, complimenting the apocalyptic proceedings.
Vengeful Ascension will be available on CD, vinyl (in multiple limited color variations), and digital formats. Various Vengeful Ascension preorder options are currently available at through Metal Blade, where you can also sample the record’s title track.
Before the album is released, however, Goatwhore will wrap up their current tour with Amon Amarth and will begin a whole new tour with Canada’s own Anciients. As an added bonus for fans of both bands, the North American tour will actually tour through North America. Goatwhore will crush the Fort Worth Metal Fest at the The Rail Club in Fort Worth, Texas at the end of the month before taking to the streets again for a near-three-week North American journey from June 9th through July 1st.
Goatwhore with Amon Amarth (remaining dates):
5/16/2017 The Cotillion – Wichita, KS
5/17/2017 Boulder Theatre – Boulder, CO
5/18/2017 Lookout – Omaha, NE * GOATWHORE only
5/19/2017 The Blue Note – Columbia, MO
5/20/2017 Mercury Ballroom – Louisville, KY
5/27-28/2017 Fort Worth Metal Fest @ The Rail Club – Ft. Worth, TX
6/09/2017 The Rock Box – San Antonio, TX
6/10/2017 Backstage Lubbock Depot – Lubbock, TX
6/11/2017 Launchpad – Albuquerque, NM
6/12/2017 The Green Rom – Flagstaff, AZ
6/14/2017 Stork Club – Oakland, CA
6/15/2017 Old Nick’s Pub – Eugene, OR
6/16/2017 Northwest Terror Fest @ Neumos – Seattle, WA
6/20/2017 Generator Cabaret – Prince George, BC
6/21/2017 Distortion – Calgary, AB
6/22/2017 Brixx Bar & Grill – Edmonton, AB
6/23/2017 Riddell Center – Regina, SK
6/24/2017 Windsor Hotel – Winnipeg, MB
6/25/2017 Triple Rock Social Club – Minneapolis, MN
6/26/2017 The Metal Grill – Cudahy, WI
6/27/2017 Frankies – Bryan, OH
7/01/2017 Maggie Meyers Irish Pub – Huntsville, AL
This entry was posted in News and tagged 1349, 2017, Black Metal, Blackened Death Metal, Death Metal, Faith No More, Goatwhore, Gruesome, Halford, Metal Blade, Pelican, Today is the Day, Tribulation, Vengeful Ascension.
Here is a new video review for the excellent album Spiritus in Terra by England’s Arx Atrata. Let me know what you think in the comments below, or on YouTube.
This entry was posted in Music Review Video, Review and tagged 2016, Arx Atrata, Atmospheric Black Metal, Black Metal, English, Numenorean, Spectre, UADA, UKBM, Winterfylleth, Wolves in the Throne Room.
Here is the second episode of the Crown of Viserys News Bit. In it I talk about some of the upcoming albums in April as well as the upcoming shows from Crown of Viserys that happen in April.
If you’re liking what you see with the news bit, let me know, and if you are in a band that would like to be featured in the news bit, also let me know.
This entry was posted in CoV Presents, News, This Week's News Bit and tagged 2017, American, Anciients, Black Metal, Blackened Death Metal, Canadian, Casket Huffer, Citizen Rage, City of Strays, Crimson Caliber, Dark Descent Records, Dead Quiet, Death Metal, EP, Eternal Oblivion, Forsaken Rite, Gospels of Scum, Hibernation Release Records, Horror Pain Gore Death Productions, Independent, Iron Eyes, Italian, Lawrence's Creation, Lupercalia, Mongol, Moonlight Prophecy, Ordoxe, Primitive Man, Progressive Metal, Progressive Thrash Metal, Royal Thunder, Sarcasm, Self Harm, Selvans, Shadows in the Crypt, Skymir, Sludge, Solarcoven, Spinefarm, Stoner, Swedish, Tekarra, Thrash, Untimely Demise, Vile Insignia, Warrior Spirit, Weedeater, Wick, Within the Sphere of Ethereal Minds.
So I’ve completed a new video review for the upcoming album Hope Attrition by New York’s Woe. Let me know what you think in the comments below, or on YouTube.
Here’s a new segment, possibly, on YouTube from Crown of Viserys. Comment either here on this post, or on YouTube, and let me know what you think. Any particular news items we should tackle, or any albums coming out? Let me know that stuff too.
This entry was posted in CoV Presents, News, This Week's News Bit and tagged 2017, American, Archspire, Ares Infernus, Asylum, Belgian, Bindrune, Black Metal, Canadian, Code666, Death Metal, Exalted Solitude, Falls of Rauros, Forsaken Rite, Gnosis, Grá, In Flames, Körperlose Stimme, Melodic Death Metal, Metal Rising Records, Nordvis Produktion, Psalms of Paralysis, Ramsvarta Tankar, Repugnant Scum, Saille, Scythra, Social Arsonist, Swedish, Technical Death Metal, The Projectionist, Vigilance Perennial, Votov, Waking Mayhem.
Genre: Black Metal
Label: Broken Limbs
Scottish black metal by way of New Zealand, Barshasketh provides two songs on the first side of this split. The first, “Palingenesis” is a slow burning track that reeks of shoegaze for almost three minutes, then just comes in with super fast, blasting black metal. The entirety, from the slow beginning all throughout the rest, is beautifully executed, filled with melodies, harmonies, and ear piercing shrieks. The second track, “Dominion of Ashes” starts off fast, and pretty much stays fast throughout, but it is no less melodic or beautiful. Fans of Winterfylleth, An Autumn for Crippled Children, Desolate Winds, Wolves in the Throne Room, etc., you’ll want to check this out.
Void Ritual comes from New Mexico, USA. Daniel Jackson is from Albuquerque and is the sole member of the band, producing, recording, mixing, and mastering everything on top of writing and performing it all. His side of this split is a but more focused, a bit more raw, and a bit more old school sounding. There is more of a second-wave black metal low-fi sound, but there also seems to be influences of death metal happening as well. In the same amount of time it takes Barshasketh to do two songs, Void Ritual does three. All of them are rather magical, filled with riffs that are super catchy and evil at the same time, while lyrically about cults of recent memory. Heaven’s Gate, Paradise, and the Order of the Solar Temple all get their own songs. Fans of Marduk, Mayhem, and Darkthrone, as well as the same comparisons for Barshasketh, you’ll want to hear these songs.
In all, Barshasketh and Void Ritual have together crafted a split that is beyond easy to listen to over and over again. Truly captivating black metal of the highest order.
This entry was posted in Review and tagged American, An Autumn for Crippled Children, Barshasketh, Black Metal, Broken Limbs, Darkthrone, Desolate Winds, Marduk, Mayhem, New Zealander, Scottish, Shoegaze, Split, Void Ritual, Winterfylleth, Wolves in the Throne Room.
Genre: Death Metal
Label: Forgotten Wisdom Productions
This is one disgusting EP. Laying waste with four songs in twenty-two minutes, Vilifier are definitely disciples of old school rotten death metal.
Simplistic, catchy riffs with an absolutely vile sound mark the Ritual Obscuration EP by Australia’s Vilifier. These four songs bring together an obvious love for death metal, obscure black metal, and the songs even show a slightly death/doom approach at times. The production on the EP is nice and lo-fi, with guitars and bass being absolutely dirty; more of an apocalyptic desert dirt than grave dirt, however. The drums are savage, like the footsteps of a giant–or an advancing army–and cymbals crash like steel breaking glass.
The vocalist, Daniel Stone (aka N.B./Nekrobogan), terrifyingly invokes death, destruction, and disorder to earth, heavens, and cosmos alike. As much as I enjoy the music to this EP, I honestly like the vocals even a bit more. They are just so fucking raw!
Sadly, this EP came out back in 2013, and it is the last thing that Vilifier have released. This is pretty much perfect for fans of early Darkthrone, Gravehill, Corpsessed, early Gorefest, Asphyx, etc., and highly recommended by myself.
This entry was posted in Review and tagged 2013, Asphyx, Australian, Black Metal, Blackened Death Metal, Corpsessed, Darkthrone, Death Metal, EP, Forgotten Wisdom Productions, Gorefest, Gravehill, Ritual Obscuration, Vilifier.