Death Metal

News: Goatwhore to Release Vengeful Ascension June 23 via Metal Blade; Tour North America with Anciients

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Goatwhore - Vengeful Ascension

Goatwhore will release their anticipated Vengeful Ascension full-length worldwide on June 23rd via Metal Blade Records. The band’s seventh full-length and second recorded reel-to-reel, Vengeful Ascension was captured at Earth Analog in Tolono, Illinois near Champaign with longtime soundman and comrade Jarrett Pritchard (1349, Gruesome).

The ten-track, forty-one-minute production – mixed by Chris Common (Tribulation, Pelican) and mastered by Maor Applebaum (Faith No More, Halford, Today is the Day) – marches in, clutches its listeners by the throat and refuses to loosen its grip until the abrupt conclusion of “Those Who Denied God’s Will.” A sonic manifestation of war, chaos, desolation, and emotional conflict, seamlessly bridging twenty years of the band’s signature brand of audio venom, it’s a record that finds its members at their most accomplished both individually and as a cohesive unit. Guitarist Sammy Duet’s dense, sub nuclear riff work and possessed solo blitzes are at their most devastating spiraling flawlessly and instinctually around drummer Zack Simmons’ and bassist James Harvey’s hammering rhythms while vocalist Ben Falgoust’s distinctly commanding roar, his acidic prose more enunciated than ever before, complimenting the apocalyptic proceedings.

Vengeful Ascension will be available on CD, vinyl (in multiple limited color variations), and digital formats. Various Vengeful Ascension preorder options are currently available at through Metal Blade, where you can also sample the record’s title track.

Before the album is released, however, Goatwhore will wrap up their current tour with Amon Amarth and will begin a whole new tour with Canada’s own Anciients. As an added bonus for fans of both bands, the North American tour will actually tour through North America. Goatwhore will crush the Fort Worth Metal Fest at the The Rail Club in Fort Worth, Texas at the end of the month before taking to the streets again for a near-three-week North American journey from June 9th through July 1st.

Goatwhore with Amon Amarth (remaining dates):
5/16/2017 The Cotillion – Wichita, KS
5/17/2017 Boulder Theatre – Boulder, CO
5/18/2017 Lookout – Omaha, NE * GOATWHORE only
5/19/2017 The Blue Note – Columbia, MO
5/20/2017 Mercury Ballroom – Louisville, KY
End Tour
5/27-28/2017 Fort Worth Metal Fest @ The Rail Club – Ft. Worth, TX

 

 Goatwhore with Anciients:
6/09/2017 The Rock Box – San Antonio, TX
6/10/2017 Backstage Lubbock Depot – Lubbock, TX
6/11/2017 Launchpad – Albuquerque, NM
6/12/2017 The Green Rom – Flagstaff, AZ
6/14/2017 Stork Club – Oakland, CA
6/15/2017 Old Nick’s Pub – Eugene, OR
6/16/2017 Northwest Terror Fest @ Neumos – Seattle, WA
6/20/2017 Generator Cabaret – Prince George, BC
6/21/2017 Distortion – Calgary, AB
6/22/2017 Brixx Bar & Grill – Edmonton, AB
6/23/2017 Riddell Center – Regina, SK
6/24/2017 Windsor Hotel – Winnipeg, MB
6/25/2017 Triple Rock Social Club – Minneapolis, MN
6/26/2017 The Metal Grill – Cudahy, WI
6/27/2017 Frankies – Bryan, OH
6/29/2017 George’s Majestic Lounge – Springdale, AR
6/30/2017 Vino’s Brewpub – Little Rock, AR
7/01/2017 Maggie Meyers Irish Pub – Huntsville, AL

Video: News Bit 003 – Altar of Betelgeuze, Augurium, Crypt Rot, and more

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Here is the second episode of the Crown of Viserys News Bit. In it I talk about some of the upcoming albums in April as well as the upcoming shows from Crown of Viserys that happen in April.

If you’re liking what you see with the news bit, let me know, and if you are in a band that would like to be featured in the news bit, also let me know.

Video: Music Review 002 – Casket Huffer – Gospels of Scum

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Here is a new video review for the upcoming vinyl re-release of Gospels of Scum by Casket Huffer. Let me know what you think in the comments below, or on YouTube.

Video: News Bit 002 – Ordoxe, Royal Thunder, Casket Huffer, and More

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Here is the second episode of the Crown of Viserys News Bit. In it I talk about some of the upcoming albums in April as well as the upcoming shows from Crown of Viserys that happen in April.

If you’re liking what you see with the news bit, let me know, and if you are in a band that would like to be featured in the news bit, also let me know.

Live Review: Necronomicon with Vesperia, Abiotic, and Tales of the Tomb

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Necronomicon - Okkultis in Canada Tour 2016

When: August 17, 2016
Where: Brixx

Oh man. It’s taken me awhile to get to type this up, but I really had to get these thoughts onto screen. This was a big night for me, a show that was more of a collection of bands that I really like in one room.

First up on the stage was a band that needs no introduction in Edmonton. One of the fastest rising bands this city has is Tales of the Tomb, a death metal band obsessed with serial killers. The Snowtown murders, Pickton and his farm, and 9/11 are just some of the topics that they tackle. This set was one of the best I’ve seen from them, and I’ve seen them a lot! Just this year alone I think I’ve seen them seven times or so. Not a band to miss in a live setting, and that’s agreed upon even by Rob from Necronomicon, who thanked Tales and said they were one of the best opening bands he’s had for the tour.

Second up was Miami, Florida’s Abiotic, who broke up shortly after this tour. This was my second time seeing them live, the first being with a different singer as they toured with Dying Fetus. This set was better than the last time, but there was some problems at the beginning of the set that caught my ear and almost made me dismiss them. The sound was just… quiet. There was nothing there. During the second song, however, the sound tech found where he wanted the band and everything went from somewhat flat to a wonderfully dynamic and fucking loud volume. Seriously excellent shredders on all instruments, but Travis Bartosek on vocals stole the show for me. If you’re one of those people who film with your cell phones though, I warn you: he’ll take it out of your hand and do some filming for you, giving you a phone video you won’t soon delete. It’s unfortunate that they split because I honestly could tell there was an amazing future ahead for this band if they did one more album. It’s the curse of being underrated and not quite getting the big push they should have gotten.

Third up was Vesperia, from Ontario. They all have a small-town attitude but hail from the big city of Toronto, so it’s always a treat to see these guys on a stage. Imagine Amon Amarth but from Canada, and you’re kind of in the right territory. Not so much a Viking metal sound, but a death metal with symphonic elements and a huge feel. They are truly an epic band to behold. The vocalist, Morgan Rider, has such an expressive voice with a large range. Sometimes they even get clean in the vocals, and this is where Vesperia shine for me. As I said, Morgan has a large range, and his cleans are the stuff legends are made of. It would never surprise me if they got picked up by Napalm or Nuclear Blast. In fact, it would surprise me if they didn’t. For those that might be thinking the name is familiar, it is probably because they won the Wacken Metal Battles in Canada, and played at Wacken as a result, winning the world-wide Battles.

Finally, the band that everyone came to see, the legendary Necronomicon took the stage. This is a band that has perplexed the death metal world since their Morbid Ritual demo in 1992. They sounded like Behemoth do now, back when Behemoth were still worshiping Norwegian black metal. Symphonic death metal, with black metal influences and overtones, this power trio is a true force to reckon with on a stage and on record. And since 1988, when Rob the Witch founded the band, they have been completely underrated because no one knew what the fuck they were watching and listening to. Yes, this is death metal. Yes, there’s pretty sounding and ominous keyboards in it. Yes, there’s songs with 100% black metal lyrics in them. No, this doesn’t really make sense, but fuck making sense, man! Sit back and enjoy just how huge these three dudes sound and look on a stage. Rob stole the stage from Brixx, he took it, he made it his and he owned it. Simply put, this band is one of Canada’s best, and we seem to take them for granted on our soil. The fans in the USA and Europe seem to understand them a little bit more, perhaps, because that is where their biggest successes are. But ultimately, they are just three dudes from Quebec making the noise they want to make. And goddamn they are good at it. If you missed out on this tour, you missed out big.

NOTE: This live review was originally published on September 15, 2016. Republished on March 23, 2017 after being reformatted for this version of the Crown of Viserys website.

Video: News Bit 001 – The Projectionist, Saille, and More

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Here’s a new segment, possibly, on YouTube from Crown of Viserys. Comment either here on this post, or on YouTube, and let me know what you think. Any particular news items we should tackle, or any albums coming out? Let me know that stuff too.

Music Review: Horrid – Sacrilegious Fornication

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Horrid - Sacrilegious Fornication

Genre: Death Metal
Label: Dunkelheit Produktionen

Italian oldschoolers Horrid are back with a brand new album, still gleaming wet from the infected womb of the Virgin. These guys have crafted a brutal slab of death metal that exceeds so many recent releases. Catchy, mid-paced to fast, and straight forward, this is mandatory listening for fans of Deicide, Morbid Angel, Death, Entombed, Autopsy, Gorefest, and their fellow countrymen in Faust.

Opening the album with a prayer to Satan while a (sacrifice? participant?) woman moans her lust, the title track “Sacreligious Fornication” is a fast moving freight train of antichristian hate, followed by “Vortex of Primordial Chaos”, which sounds like its title: fast, swirling, and chaotic, but with a good amount of memorable melody that will keep it in your head long after listening to it.

“Necromancy” blasts away with dark magick, followed in suit by “Demonic Sadocarnage”, which also features a smattering of groove death that Jungle Rot fans would like.

“Blood on Satan’s Claw”, my favorite track of the album, is much more brutal in the vocal department and just rippingly fast. No less memorable as far as riffs go, its another track that will lodge itself securely in your hippocampus. It is as if they designed the song to be for destroying people in the mosh pit.

“The Fire of Impenitence” features dual vocalists, with Johan Johannson of Interment guesting. It’s anthemic and vicious, and my second favorite track.

“Diocletianic Persecution” starts off with a nice slow riff and a militaristic drum beat, then quickly picks up pace, and stays at mostly the same fast-ish mid-tempo throughout, where the second-last track, “Goddess of Heretical Perversity” starts fast and ends fast, with no bullshit in the way of headbanging.

I know I’m going to be coming back to this album a lot over the next while, and if I was a list-making man (I am a list-making man) this will probably be a contender for my top of the year. This is one disgustingly and beautifully blasphemous album, and needs to be in the hands of everyone who loves their death metal executed with individual style and loaded with hate.